This project is an interrogation of the concept of essentiality. As we struggle to stabilize ourselves in the wake of a global pandemic, many are searching for essence, for the… Read more Finding Essence in the Time of the Non-Essential, 2021 →
Early in 2019 I was thinking about a new series of beaded works, which I had titled Beaded Baroque. The original concept was to bring contemporary beading into conversation with… Read more The Antiquarian’s House, 2020 →
In Over Our Heads, original designs are beaded onto bonnets, caps, and headpieces. When selecting objects to work with, 4 pieces of women’s headgear seemed to fit together somehow. My… Read more Over Our Heads, 2020 →
Performative work, Sacred Mountain of Oropa, Biella, Italy, 2018
ArtFarm Pilastro 2019 (June 28-30). In this project, a rustic niche in an outbuilding of a 17th century farmhouse in the low country of the Italian province of Verona was… Read more Little Chapel for the Other Than Human – Summer 2019 →
Over a year in the making, this is the most ambitious work I’ve ever taken on. It is a chronicle, of sorts, of my adaptation to my new home city… Read more Where the Wind Took Me →
In 2017, I started incorporating beading into sculptural works. The resulting series of fishes reflects my personal study of the Mediterranean Sea and Italian lace-making, combined with a long-standing interest… Read more The Feast of the Fishes →
Master of Fine Arts Thesis Exhibition at the Gordon Snelgrove Gallery, Saskatoon, Canada from September 12-23, 2016. Click here for the Thesis Exhibition Statement.
Corinna Wollf 